Populism in Modern Greek Architecture - a lecture

 

PATHWAY AND GRID lecture series

 

4. Populism in modern greek architecture 

The fourth lecture of the lecture series titled Pathway and Grid – On the Verge of Regionalism and Modernism, held by Kostas Tsiambaos, architect, Assistant Professor in History & Theory of Architecture at the School of Architecture of the National Technical University in Athens.

The lecture series is organized as part of an ongoing research project that focuses on the perpetual dichotomy of regionalism and modernism in architecture through the works of 20th century Greek architects, Dimitris Pikionis, Aris Konstantinidis, Aristotelis Zachos and Suzana & Dimitris Antonakakis.

Az előadás angol nyelvű!

The lecture is in English!

Helyszín / Location:

közösen kivetítőn: 1111 Budapest, Kende utca 1.

online: https://meet.google.com/yep-ruff-cqb

Ajánlott olvasmány / Recommended literature:
Kostas Tsiambaos, "Populism as Counter-Theory in Greek Architectural Discourse"
https://drive.google.com/.../1Oji64AKtVHnrbEIeSdF.../view...

‘Ants or frogs around a pond’ - international workshop

 

'On the Duty and Power of Architectural Criticism' - online conference

"On the Duty and Power of Architectural Criticism" is an online conference organized by Professor Wilfried Wang taking place October 9-10 and October 16-17, 2021.

Should architectural criticism be enlightening? Should it help in the creation of a better built environment? Is there a factual basis to it? Does it have a duty to present evidence in the evaluation of a building? Or should it take on what architects say about their designs?

In the context of a flat internet, should architectural criticism be able to define best practices? Does it wield the power over who is in and who is out?

Architectural criticism, like all human endeavors, is at a crucial juncture. While serious architecture struggles for recognition, much so-called architectural criticism is merely a poorly paid, decorative legitimation for hyperbolic practice. Incisive architectural criticism is rare, while the definition of criticism itself has become opaque.

This conference seeks papers that define the purposes and methods of architectural criticism. What should the ethical basis be of architectural criticism? Can it be objective in the context of paid content? Should it outline ideal practices? Or what should it do?

Details

All sessions will take place from 8:00 a.m. to 11:30 a.m. Central time via Zoom

Join Zoom Meeting: https://utexas.zoom.us/j/99569235856

Meeting ID: 995 6923 5856 

Conference Format

The online format of the two-day conference will allow active debate between the audience and lecturers. Presentations will be concentrated to allow for ample discussion time. Besides the four keynotes, there will be a maximum of 16 short papers. The entire conference will be recorded and placed on Youtube. The conference language will be English. Registration for free audience places (max. 300) will open July 2 via icac2021contributions@gmail.com

Conference program

Saturday, 9. October
Session 1: Origins and Approaches
Session chairs Ana Tostões and Robert McCarter

Frampton, Kenneth 

Keynote lecture

Tsiambaos, Kostas 

A critique of building construction: tactics of "resistance" in Pikionis' Acropolis Works
Voet, Caroline 

Paradigms of design and deep readings. The creative emancipation of critical building analysis
Low, Kevin 

The dominant paradigm we call design
van Gerrewey, Christoph 

Truth Content: SANAA's Rolex Learning Center

Sunday, 10. October
Session 2: High Culture in Conflict
Session chairs Louise Noelle Gras and Elias Constantopoulos

Zheng Shiling 

Keynote Lecture

Comas, Carlos Eduardo & Almeida, Marcos 

Niemeyer Do(o)med: Remembrances of Planes past
Hartung, Martin 

The New MoMA – Architectural Criticism 1979 – 2019
Costa Cabral, Cláudia 

On Lina Bo Bardi's Iconography: Three drawings
Zafer, Seda 

Imported Starchitect in a Local Market

Saturday, 16. October
Session 3: Criticism and its Effects
Session chairs Hélène Jannière and Wilfried Wang

Verde Zein, Ruth

Keynote lecture

Galjer, Jasna 

Architectural Criticism in the Space for the Unexpected
Petrakos, K. 

Aphaeresis and Urban Policies
Jørgensen, Morten Birk 

Verdicts on the Viking Ship Hall
Chaves, Carolina 

Architectural Criticism on Post-WW II Collective Housing: Complicit in an Historical Prejudice?

Sunday, 17. October
Session 4: Explicit Criticism
Session chairs Şengül Öymen Gür and Fernando Diez

Tumubweinee, Philippa 

Keynote lecture

Widder, Lynette 

"The lightest parliament in the world": Hans Schwippert's Bundeshaus
Staub, Alexandra 

Whose Architecture? Whose Criticism? Bank of America Tower/2226 Office
Ciarkowski, B. 

The lost battle for memory: Why does architectural criticism in Poland remain silent?
Erkarslan, Özlem Erdoğdu; Altınışık, Burak & Kepekçioğlu, Batu 

The New Istanbul Museum of Painting and & Sculpture: Multiperspectival Criticism in  Contemporary Turkish Architecture

https://soa.utexas.edu/icac2021

The Architect and the Animal: 20th Century Encounters

International Workshop

9-10 April 2021 @ Princeton Athens Center & Zoom
Organizers: M Christine Boyer & Kostas Tsiambaos

Aino Aalto and a crane in the garden of her house in Riihitie, 1939. Photo: Eino Mäkinen © Alvar Aalto Foundation

PROGRAMME

Friday 9 April

 
15.00 CET 

Dimitri Gondicas / Princeton University
Welcoming remarks

Kostas Tsiambaos / National Technical University of Athens
Introduction

SESSION I

15.20 

Viola Bertini / Università Iuav di Venezia
Time, Place and Man. The Role of Animals in Hassan Fathy’s Drawings

15.40 

Martin Søberg / The Royal Danish Academy of Fine Arts
John Hejduk, Animals, and the Anthropological Machine

16.00 

Martín Cobas Sosa / FADU - UdelaR and Princeton University
A Report on the Creature, with an Appendix on Venomous Zoology

16.20 

Respondent: Cameron Wu / Princeton University

16.40 

Discussion

End of day 1

Saturday 10 April

SESSION II

15.00 CET 

Aron Vinegar / University of Oslo
Mollusks, Shells and the Stained Soul of Modern Architecture

15.20 

Kostas Tsiambaos / National Technical University of Athens
Buildings as Animals, or, Eschatological Perspectives of Modern Greek
Architecture
 

15.40 

Respondent: Spyros Papapetros / Princeton University

16.00 

Discussion

Break

SESSION III

17.00 

M. Christine Boyer / Princeton University
An Asinine Tale [Equus asinus]: Le Corbusier’s donkeys

17.20

Manuel Orazi / University of Ferrara
Animals in the Humanistic Thinking of Yona Friedman

 
17.40
Gabriele Mastrigli / University of Camerino
Piero and the Dog (and other Stories): Superstudio and the Narrative of Living
Nature

18.00 

Respondents: Marshall Brown and Spyros Papapetros / Princeton University

18.20 

Discussion

End of the workshop

 

 

Outline

One of architecture’s main objectives is to ensure the best possible conditions for the protection and development of human life. At the same time, architecture has always referred to animals in various ways. Even as, throughout history, the most important architectural creations were dedicated to the glory of gods, animal figures persistently featured as reminders of the sacred, the irrational, the monstrous or the evil. In ancient Greek temples Gods and semi-Gods were put side by side with lions and horses; in Gothic cathedrals saints and holy figures stood next to wolves, lambs and pigs; in the churches of the 18th and 19th centuries owls, swans, fish, deer, etc. were used as symbols that communicated common mentalities and religious beliefs, promoted ethical and aesthetical norms and ideals, and performed as reflective-critical comments on human creation and life.

In the 20th century the presence of animals in architecture gradually receded as positivism and functionalism prevailed. However, one could still find various references to and representations of animals in the work of the architects of the 20th century. From the pack-donkey in Le Corbusier’s The City of Tomorrow (1929), and the goats in Dimitris Pikionis’s Aixoni (1957), to the horses in Superstudio’s Atti Fondamentali (1972), and the spiders in Lina Bo Bardi’s Intermezzo per bambini (1984), the animal as a latent model, paradigm, metaphor and symbol comes to serve a critical-interpretive function.

This workshop aims to launch a discussion on the animal in the history and theory of architecture of the 20th century by reconsidering the animal as a vital symbol/signifier/qualifier for the human, as the ‘negative’ or the ‘other’ of the human. In this framework the words “negative” and “other” do not indicate something inferior or less important than the human but, on the contrary, something substantial and meaningful, a missing link or an archetype, an object which expands, completes or even mirrors the notion of the human. How can we re-think animals beyond their se (or the use of parts and attributes of them) as mere formalist inspirations for architectural design which are often empty of content, identity, and meaning? How can we re-consider the various references to animals in the architecture of the 20th century as an alternative field of research for architectural history, theory and criticism? How can we re-interpret the entangled, convoluted representations of animals as objects of the architects’ sublimation but also as reflections of their ethical position; as concerns of citizens active in the cultural and political environment of their age?

The workshop considers animal references and representations as symbolic constructions and parts of an imaginary ecology that at the same time perform as rhetoric devices. Within this context, alien, fantastic, holy, wild, idealized, and exotic creatures appear as typical objects of otherness; as models, paradigms, and metaphors in a discourse that attempts to critically question the identities, definitions and boundaries of modern and postmodern architecture. A mapping of these images, references and representations, as well as a documentation and interpretation of their function during the creative process, will be one of the workshop’s main targets. The interpretive charting of these nonhuman creatures will not only allow for a better understanding of the architects’ ideas and intentions but will also help locate their oeuvre into a broader context, and in correspondence to other cultural centers located in a complex global network of influential intellectuals.

A thorough examination of specific case studies will illustrate the ways in which these references to animals serve a critical-interpretive purpose through a reflective extension of a predominantly humanistic/ anthropocentric science and art, such as architecture is. How are animals used and in which context? What is their latent programmatic, philosophical and ideological content? In which ways do they express critical stances against modernity? How do they relate to local myths and indigenous identities? How do they defend cultural history and tradition against the threats of globalization? What kind of unconscious doubts, resistances, challenges and anxieties do they cover?

The workshop entitled “The Architect and the Animal: 20th Century Encounters” aims to provoke a fresh and rich dialogue on a contemporary, but neglected, topic, by inviting novel and daring contributions that challenge and expand the established discourse, and by providing enough material for the production of a scholarly edited volume, to be submitted for publication by an established, international academic press. 

 

https://hellenic.princeton.edu/events/architect-and-animal-20th-century-encounters-international-workshop

Animals, Architecture, and the Critique of Modernity

Massimo Scolari, The solitary sparrow, 1974

AA School - History and Critical Thinking MA

 

HCT & PhD Debates Session 2 – Animals, Architecture, and the Critique of Modernity
HCT & PhD Debates: History in Translation
Session 2: Animals, Architecture, and the Critique of Modernity

Guest speaker: Kostas Tsiambaos
Thursday 30 January | 4:00–6:00 pm | 32 Bedford Square (First Floor Back)

 
Although the representations of animals in architecture since 1900 receded, as positivism and functionalism prevailed, one can still notice various representations of animals in the work of modern and postmodern architects. From the goat in Hans Poelzig's Porzellanpavillon (1922), and the pack-donkey in Le Corbusier’s The City of Tomorrow (1929), to the horse in Superstudio’s Atti Fondamentali (1972), and the dog in Lina Bo Bardi’s Intermezzo per bambini (1984) the animal, as a symbolic representation, comes to serve a critical-interpretive function. In my talk, I will focus on a few case studies in which the animal comes to question the form and content of architecture by pointing towards a meta-architectural future. 

 

more info

Animals on the Roof - talk at Princeton SoA

Animals on the Roof: A discussion with Kostas Tsiambaos

In his autobiography titled Building Life (1977), the renowned architect and urban planner Georges Candilis dedicated a few pages of his book to a small vernacular building located in the Greek island of Aegina. The so-called Rodakis house (by the name of its creator and first owner) had been an enduring source of inspiration for Candilis not only for its modern, abstract form, but also because of its symbolic sculpted animals –a duck, a pig, a snake, and a pigeon– that were placed on its roof. These expressive animal sculptures added power and meaning to the simple, minimal structure; they were understood as communal emblems of an alternative modernity, a less technical and positivist one, one that preserved the hope that progress can still be compatible with the archaic, the indigenous, the mythical, and the sacred. Following the Candilis narrative, I will comment on a few case-studies in which such animal references and representations seem to play a critical role in relation to modern architecture and urban planning. Animals often appear as typical objects of otherness; they serve as models, paradigms, and metaphors that attempt to radically question the identities, definitions and boundaries of modernity by calling for the end of architecture the way we know it.

 

Monday, November 25, 2019, 12:00 pm / Princeton University, School of Architecture, Room N107

Comment: Esther da Costa Meyer, Professor Emeritus, Department of Art & Archaeology

https://arc-hum.princeton.edu/events/animals-roof-discussion-kostas-tsiambaos

Talk: Shipwrecks of the Modern

In the archive located at Dimitris Pikionis's house, there is an unpublished letter, unknown until now. In this letter one can read the detailed description of the shipwreck of a sailboat - having Dimitris Pikionis among its few passengers - while crossing the Corinthian Gulf in August 1928. Circumventing the historical documentation of the actual events I will attempt to read this letter as a narrative material that uses a symbolic language; I will interpret it as a 'myth', a 'parable' or a 'dream' that talks to us about Dimitris Pikionis as an architect and creative person, but also about the identity of modern Greek architecture in relation to the international modernism of the interwar period.

https://hellenic.princeton.edu/events/workshop-konstantinos-tsiambaos-shipwrecks-modern-unknown-incident-life-dimitris-pikionis

Οι Τρεις Μάχες της Μοντέρνας Αρχιτεκτονικής

ΔΙΑΛΕΞΗ

Κώστας Τσιαμπάος
Οι Τρεις Μάχες της Μοντέρνας Αρχιτεκτονικής

17 Ιανουαρίου 2019 / Έναρξη: 19.00

Χώρος: Αμφιθέατρο “ΑΝΤΩΝΗΣ ΤΡΙΤΣΗΣ” του ΟΠΑΝ.ΔΑ

Σχολιάζοντας πρόσφατα ο Rem Koolhaas την τάση να κηρύσσονται διατηρητέα όλο και περισσότερα και όλο και νεότερα αρχιτεκτονικά έργα πρότεινε ένα νέο καθεστώς κατά το οποίο η αρχιτεκτονική κοινότητα, ή η κοινωνία συνολικά, θα μπορούν να αποφασίζουν πιο κτήριο θα προστατεύεται και θα διατηρείται όχι εκ των υστέρων αλλά τη στιγμή που αυτό χτίζεται ή ακόμα και πριν αυτό χτιστεί. Η προκλητική αυτή πρόταση προήλθε σε μεγάλο βαθμό και από την προστασία όλο και περισσότερων μοντέρνων αρχιτεκτονημάτων κατά τις τελευταίες δεκαετίες όχι μόνο μεσοπολεμικών αλλά και μεταπολεμικών, της δεκαετίας του 1960 και του 1970.

Στη διάλεξή μου θα μιλήσω με τη διπλή μου ιδιότητα: ως ιστορικός της αρχιτεκτονικής αλλά και ως συντονιστής της ελληνικής ομάδας του διεθνούς do.co.mo.mo., του οργανισμού ο οποίος δημιουργήθηκε με στόχο την τεκμηρίωση και προστασία της μοντέρνας αρχιτεκτονικής 30 χρόνια πριν. Σχολιάζοντας αλλά και επιχειρώντας να υπερβώ τα στενά θεσμικά πλαίσια της προστασίας θα ξεκινήσω από έναν ορισμό της μοντέρνας αρχιτεκτονικής και στη συνέχεια θα μιλήσω – μέσα από παραδείγματα αρχιτεκτονικά και άλλα – για τις 3 ‘μάχες’ τις οποίες καλείται να δώσει η μοντέρνα αρχιτεκτονική σήμερα για να συνεχίσει να επιβιώνει.

Διάλεξη της Πέμπτης 19/4 - το βίντεο

http://www.blod.gr/lectures/Pages/viewlecture.aspx?LectureID=4047

Διάλεξη της Πέμπτης 19/4

Some rhetorical aspects of the Delos Symposia / the video

The first workshop took place at the University of Birmingham on March 17, 2018. The videos of four out of eight presentations – of Dimitris Philippidis, Mantha Zarmakoupi, Kostas Tsiambaos and Petros Phokaides – can be viewed at our YouTube Channel. In order to watch them follow the links of each presentation in the program of the workshop below.

https://delosnetwork.com/workshop-1-delos-ideals/

Οι περιπέτειες του ημιυπαίθριου / το βίντεο

http://www.blod.gr/lectures/Pages/viewlecture.aspx?LectureID=3759

ΑΣΚΤ - 22/3

GR80s: Το διαμέρισμα / η συζήτηση στο BLOD

Το διαμέρισμα. Εκεί που άλλαζε και δεν άλλαζε η ζωή μας. 

Δύο μελετητές της ζωής στην πόλη και της καθημερινότητας μας δείχνουν την εξέλιξη του αθηναϊκού διαμερίσματος τα τελευταία 40 χρόνια για να δούμε πόσο άλλαξε ο τρόπος ζωής μας.

Ομιλητές: Παναγής Παναγιωτόπουλος, Κώστας Τσιαμπάος
Innovathens - Τεχνόπολη, 3/2/2017

ΑΦΕΤΗΡΙΕΣ - Villa Tugendhat / το video

https://vimeo.com/146897820

Η κατοικία Σπητέρη / το βίντεο της ομιλίας

http://www.blod.gr/lectures/Pages/viewlecture.aspx?LectureID=2424

Η κατοικία Σπητέρη: μια 'παρεξήγηση' 60 χρόνων

Στην κατοικία την οποία σχεδίασε το 1955 ο Αριστομένης Προβελέγγιος για το ζεύγος Σπητέρη συναντάμε πολλά από τα στοιχεία της αρχιτεκτονικής που έμαθε ο Προβελέγγιος δίπλα στον Le Corbusier. Αν, όμως, για τον Le Corbusier η αρχιτεκτονική έπρεπε να αντικαταστήσει την επανάσταση, για τον Προβελέγγιο η αρχιτεκτονική έπρεπε να προετοιμάσει την επανάσταση. Αυτή είναι μια ‘παρεξήγηση’ που ίσως μας ενδιαφέρει. 

Έγκλημα στην οδό Κυκλάδων / η συζήτηση

 Η βιντεοσκόπηση της ανοιχτής συζήτησης για τον Προβελέγγιο, το έργο του, τον Le Corbusier, την Κυψέλη κ.α. από τo greekarchitects.

https://vimeo.com/143455701

https://vimeo.com/143453424

Le Modulor / Η συζήτηση

Η στρογγυλή τράπεζα και βιβλιοπαρουσίαση 'Le Corbusier / Le Μοdulor' που έλαβε χώρα στις 22.10.2015 στο Γαλλικό Ινστιτούτο από το blod:

http://www.blod.gr/lectures/Pages/viewlecture.aspx?LectureID=2370#.VjiKcNZwB6o.twitter

Αντωνακάκης, Τουρνικιώτης, Κωσταβάρα-Παπαρρήγα, Φαραντάτος κι εγώ.

ΑΦΕΤΗΡΙΕΣ - ΔΟΜΕΣ INDEX 03

Μουσείο Μπενάκη οδού Πειραιώς, Σάββατο 24 Οκτωβρίου 2015


10:30 - 10:45 Έναρξη

Μάρω Καρδαμίτση - Αδάμη / Γεώργιος Α. Πανέτσος

10:45 - 12:00 1η Συνεδρία

Προεδρείο: Αγνή Κουβελά ‐ Παναγιωτάτου, Γιώργος Τριανταφύλλου

Ομιλητές:

Studio 2Pi Architecture - Παναγιώτης Παπασωτηρίου / Νεκροταφείο Skogskyrkogården - Woodland, Gunnar Asplund & Sigurd Lewerentz, Στοκχόλμη - Σουηδία, 1915-1940

Μυρτώ Κιούρτη / Κατοικία Schröder, Gerrit Rietveld, Ουτρέχτη - Ολλανδία, 1924

Κώστας Τσιαμπάος / Villa Tugendhat, Mies van der Rohe, Brno - Τσεχία, 1929-1930 

Οι αρχιτέκτονες της Φάλαινας - Ίρις & Λήδα Λυκουριώτη / Χρόνος για χασμουρητό - Tempe à Pailla, Eileen Gray, Castellar - Γαλλία, 1931 
 
draftworks* - Χριστιάνα Ιωάννου, Χρίστος Παπαστεργίου / Παιδότοποι στο Άμστερνταμ, Aldo van Eyck, Άμστερνταμ - Ολλανδία, 1947-1978

Petrās Architecture Studio - Τσαμπίκος Πετράς / Ο κήπος των γλυπτών - Giardino delle sculture, Carlo Scarpa, Βενετία - Ιταλία, 1952

12:00 - 13:15 2η Συνεδρία

Προεδρείο: Βασιλική Πετρίδου / Κωνσταντίνος-Βίκτωρ Σπυριδωνίδης

Ομιλητές:

griik architects- Κωνσταντίνος Γρίβας, Νατάσα Κυριακίδη / Κατοικία του μέλλοντος - Έκθεση Daily Mail Ideal Home, Alison & Peter Smithson, Λονδίνο - Ηνωμένο Βασίλειο, 1955-1956

Στέλιος Γιαμαρέλος / Εργοστάσιο Φιξ, Τάκης Ζενέτος, Αθήνα - Ελλάδα, 1957-1963

Πλάτων Ησαΐας / No-Stop City, Archizoom Associati, 1966-1972

Κωσταντής Κίζης / Πισίνες, Álvaro Siza Vieira, Leça da Palmeira - Πορτογαλία, 1966
Κώστας Πουλόπουλος / Railway Sleeper House, Shin Takasuga, Miyakejima - Ιαπωνία, 1970-1980

askarchitects - Αλεξάνδρα Στράτου, Στέλλα Κωνσταντινίδη / Splitting, Gordon Matta-Clark, New Jersey - ΗΠΑ, 1974

13:15 - 14:30 Διάλλειμα

14:30 - 15:45 3η Συνεδρία

Προεδρείο: Μόρφω Παπανικολάου / Θανάσης Σπανομαρίδης

Ομιλητές:

Στέλλα Παντελιά / The Lightning Field, Walter De Maria, Catron County - New Mexico - ΗΠΑ, 1977

Topotheque - Ιάσων Πανταζής / Διαμέρισμα, Σπυρίδων Πανταζής - Ελένη Μαργαριτίδου, Ιωάννινα - Ελλάδα, 1987

Αριάδνη Βοζάνη / Τοπιακή διαμόρφωση και μνημείο για τον Walter Benjamin - Passages, Dani Karavan, Portbou - Ισπανία, 1990-1994

Γεωργία Δασκαλάκη, Γιάννης Παπαδόπουλος / Κατάστημα επίπλων στη Νέα Κηφισιά, Κυριάκος Κρόκος, Αθήνα - Ελλάδα, 1990-1996

mab architects - Franky Antimisiaris, Branko m. Berlic / Κτήριο γραφείων της Red Eléctrica de España, Mariano Bayón, Σεβίλλη - Ισπανία, 1992

Δέσποινα Ζαβράκα / (Νεκρο)ταφείο Furstenwald, Kienast & Vogt Landschaftsarchitekten, Chur - Ελβετία, 1992-1996

15:45 - 17:00 4η Συνεδρία

Προεδρείο: Κωστής Πανηγύρης, Λιάνα Νέλλα - Ποτηροπούλου

Ομιλητές:

Αγάπη Πρώιμου / Μετατροπή βυρσοδεψείου σε κατοικία και γραφείο, Μάριος - Αλέξανδρος Νικηφοριάδης - Δανάη Σκαράκη, Χανιά - Ελλάδα, 1994

K&K Architects - Κατερίνα Κοτζιά, Κορίνα Φιλοξενίδου / Sendai Mediatheque, Toyo Ito, Sendai - Ιαπωνία, 1995-2001 

AVW‐Architecture - Αγγελική Αθανασιάδου, Κατερίνα Βασιλάκου / Αθλητικό κέντρο - Palestra Polivalente, Livio Vacchini, Losone - Ελβετία, 1995-1997

0-2 - Βάλια Φούφα / Εθνικό περίπτερο της Πορτογαλίας - Expo ’98, Álvaro Siza Vieira, Λισαβόνα - Πορτογαλία, 1998

aaiko arkitekter - Κωνσταντίνος Ιωαννίδης, Ισιδώρα‐Αγγελική Κόλια / Μουσείο εθνικής τεκμηρίωσης της διαλέκτου NyNorsk - Ivar Aasen-tunet, Sverre Fehn, Ørsta - Νορβηγία, 2000

SOUTH architecture - Χρυσόστομος Θεοδωρόπουλος, Ελένη Λιβάνη / Chilean House 1, Smiljan Radić, Rancagua - Χιλή, 2006 

17:00 - 18:00 5η Συνεδρία

Προεδρείο: Νέλλη Μάρδα / Μέμος Φιλιππίδης

Ομιλητές: 314 Architecture Studio - Παύλος Χατζηαγγελίδης / N House, Sou Fujimoto, Oita - Ιαπωνία, 2008

Αλέξανδρος Γερούσης, Κατίτα Χρυσανθοπούλου / Κατοικία για ένα νεαρό ζευγάρι, Junya Ishigami + associates, Τόκιο - Ιαπωνία, 2010

Svstudio - Σίμος Βαμβακίδης / Σιδηροδρομικοί σταθμοί στο Κατάρ - QIRP, UNStudio, Ντόχα - Κατάρ, 2012-2019

vp architectural studio - Βίκη Πορίκη / Κατοικία στα Ιωάννινα, Παύλος Βλαστός, Ιωάννινα - Ελλάδα, 2012

Σταύρος Μαρτίνος / Ξενώνας Wa Shan, Amateur Architecture Studio, Xiangshan - Κίνα, 2013-2014
18:00 - 21:00 Μουσείο Μπενάκη

Ο Le Corbusier στην Κωνσταντινούπολη

Συζήτηση με θέμα:

Ο Le Corbusier στην Κωνσταντινούπολη στις αρχές του 20ού αιώνα

Συζητούν οι:

Κ. ΤΣΙΑΜΠΑΟΣ Λέκτορας Αρχιτεκτονικής ΕΜΠ για την Κωνσταντινούπολη του Jeanneret / Γ. ΑΝΑΠΝΙΩΤΗΣ, Αρχιτέκτων-Ερευνητής για το ταξίδι στην Ανατολή / Ε. ΞΑΝΘΟΠΟΥΛΟΥ αρχιτέκτων M.Sc. για τον αρχιτέκτονα Le Corbusier / Σ. ΤΣΙΛΕΝΗΣ Δρ. Αρχιτέκτων-Πολεοδόμος Ε.Ι.Ε.. για τις μελέτες του Le Corbusier για τη Σμύρνη.

το Σάββατο 4 Οκτωβρίου 2014 16.00 - 17.30 στο Βυζαντινό Αθλητικό Κέντρο
Ζωγραφείου Λυκείου και Μεγάλης Σχολής, Άλιμος.

Διοργάνωση:

Νέος Κύκλος Κωνσταντινουπολιτών.

Στο πλαίσιο του 3ου Φεστιβάλ Κωνσταντινουπολιτών.